Studio Recordings of the Miles Davis Quintet, 1965-68, Paperback by Waters, K...

$ 17.75

Book Title: Studio Recordings of the Miles Davis Quintet, 1965-68 Topic: History & Criticism, Composers & Musicians, General, Genres & Styles / Jazz ISBN: 9780195393842 Number of Pages: 272 Pages Publication Year: 2011 Illustrator: Yes Book Series: Oxford Studies in Recorded Jazz Ser. Language: English Genre: Music, Biography & Autobiography gtin13: 9780195393842 Item Height: 0.9 in Format: Trade Paperback Item Weight: 24.7 Oz Item Width: 5.4 in Publisher: Oxford University Press, Incorporated Item Length: 8.1 in Author: Keith Waters

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Studio Recordings of the Miles Davis Quintet, 1965-68, Paperback by Waters, Keith, ISBN 0195393848, ISBN-13 9780195393842, Like New Used, Free shipping in the US The "Second Quintet" -- the Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony
Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to improvisational strategies, jazz composition, and mediation between mainstream and avant-garde jazz, yet most critical attention has focused instead on live
performances or the socio-cultural context of the work. Keith Waters' The Studio Recordings of the Miles Davis Quintet, 1965-68 concentrates instead on the music itself, as written, performed, and recorded.

Treating six different studio recordings in depth--ESP, Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro--Waters has tracked down a host of references to and explications of Davis' work. His analysis takes into account contemporary reviews of the recordings, interviews
with the five musicians, and relevant larger-scale cultural studies of the era, as well as two previously unexplored sources: the studio outtakes and Wayne Shorter's Library of Congress composition deposits. Only recently made available, the outtakes throw the master takes into relief, revealing
how the musicians and producer organized and edited the material to craft a unified artistic statement for each of these albums. The author's research into the Shorter archives proves to be of even broader significance and interest, as Waters is able now to demonstrate the composer's original
conception of a given piece. Waters also points out errors in the notated versions of the canonical songs as they often appear in the main sources available to musicians and scholars. An indispensible resource, The Miles Davis Quintet Studio Recordings: 1 is suited for the jazz scholar as
well as for jazz musicians and aficionados of all levels.